{"id":12478,"date":"2014-11-24T16:32:24","date_gmt":"2014-11-24T21:32:24","guid":{"rendered":"http:\/\/www.thehaikufoundation.org\/?page_id=12478"},"modified":"2020-11-12T19:58:39","modified_gmt":"2020-11-13T00:58:39","slug":"haiku-introduction-for-higher-education","status":"publish","type":"page","link":"https:\/\/thehaikufoundation.org\/learn\/the-haiku-foundation-education-wall\/haiku-introduction-for-higher-education\/","title":{"rendered":"Haiku Introduction for Higher Education"},"content":{"rendered":"<p><i>\u201cThe best poets working in haiku are responsive to the conditional aspects of reality, and their work is reflective of this awareness, in terms of form as well as content. The challenge, as always, is neither to innovate for innovation\u2019s sake, nor to constrain for tradition\u2019s sake, but to find exactly the right form, the right phrase, the right context, to express contemporary reality. So long as haiku remains responsive to these changing conditions, it will change and, in doing so, remain vital.\u201d<\/i><\/p>\n<p>This quote is from \u201cAn Overview of Haiku in English,\u201d by Jim Kacian, an essay from <i><a href=\"https:\/\/books.wwnorton.com\/books\/Haiku-in-English\/\" title=\"Haiku in English\">Haiku in English: The First Hundred Years<\/a><\/i> (2013, Page 374). Edited by Jim Kacian, Philip Rowland, Allan Burns. Introduction by Billy Collins. W. W. Norton &#038; Company.<\/p>\n<p>WELCOME TO THE HAIKU FOUNDATION EDUCATION WALL. We are beginning our area for Higher Education with an introduction to the Board of Directors: <a href=\"https:\/\/www.thehaikufoundation.org\/poet-details\/?IDclient=41\" title=\"Jim Kacian\">Jim Kacian<\/a>, <a href=\"https:\/\/www.thehaikufoundation.org\/poet-details\/?IDclient=73\" title=\"Mark Harris\">Mark Harris<\/a>, <a href=\"https:\/\/www.thehaikufoundation.org\/poet-details\/?IDclient=969\" title=\"Stella Pierides\">Stella Pierides<\/a>, <a href=\"https:\/\/www.thehaikufoundation.org\/poet-details\/?IDclient=1079\" title=\"Dave Russo\">Dave Russo<\/a>, and <a href=\"https:\/\/www.thehaikufoundation.org\/poet-details\/?IDclient=38\" title=\"Billie Wilson\">Billie Wilson<\/a>. The following selection of haiku from their Poet Pages on the Haiku Registry, which is edited by Billie Wilson, offers excellent examples of contemporary haiku.<\/p>\n<blockquote><p>swallowflight . . .<br \/>\nlooking out the window<br \/>\nlong after<\/p>\n<p>pain fading the days back to wilderness<\/p>\n<p>Jim Kacian<\/p>\n<blockquote><p>exits<br \/>\nsunlight<br \/>\nleaf<br \/>\n(or<br \/>\nwing)<\/p>\n<p>burl bark grown into a wound a word<\/p>\n<p>Mark Harris\n<\/p><\/blockquote>\n<p>warm days wrapped up in a word too many<\/p>\n<p>plum blossoms<br \/>\na handbag mirror<br \/>\non the garden bench<\/p>\n<p>Stella Pierides<\/p>\n<blockquote><p>sun in the bones<br \/>\nof a darting minnow<br \/>\nmy cell phone rings<\/p>\n<p>early morning snow<br \/>\nthe janitor shaves<br \/>\nat a barbershop sink<\/p>\n<p>Dave Russo\n<\/p><\/blockquote>\n<p>winter wind<br \/>\na cradlesong sung<br \/>\nin an ancient tongue<\/p>\n<p>deer tracks<br \/>\nthrough the meadowsweet<br \/>\nfirst frost<\/p>\n<p>Billie Wilson\n <\/p><\/blockquote>\n<p><a href=\"https:\/\/www.thehaikufoundation.org\/omeka\/\">The Haiku Foundation Digital Library<\/a> continues to grow and includes almost 300 items. Books from this online collection may be read for free. Our digital librarian is Garry Eaton.<\/p>\n<p><a href=\"https:\/\/www.thehaikufoundation.org\/juxta\/\" title=\"Juxtapositions\"><i>Juxtapositions<\/i><\/a> is a new peer-reviewed e-publication. It is dedicated to haiku research and scholarship. The inaugural issue is due out in Spring of 2015. Editors of <i>JUXTA<\/i> include Stephen Addiss (University of Richmond), Randy Brooks (Millikin University), Bill Cooper (University of Richmond), Aubrie Cox (Millikin University), and Senior Editor Peter McDonald (California State University, Fresno).<\/p>\n<p>Thank you for visiting The Haiku Foundation.<\/p>\n<p>We hope our content is useful and look forward to your feedback.<\/p>\n<p>* * *<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe best poets working in haiku are responsive to the conditional aspects of reality, and their work is reflective of this awareness, in terms of form as well as content.&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":9664,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"wf_page_folders":[1740],"class_list":["post-12478","page","type-page","status-publish","hentry","entry","no-media"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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