{"id":58492,"date":"2024-04-01T09:00:02","date_gmt":"2024-04-01T13:00:02","guid":{"rendered":"https:\/\/thehaikufoundation.org\/?p=58492"},"modified":"2024-01-09T18:18:27","modified_gmt":"2024-01-09T23:18:27","slug":"thf-galleries-micro-haiga-of-pravat-padhy","status":"publish","type":"post","link":"https:\/\/thehaikufoundation.org\/thf-galleries-micro-haiga-of-pravat-padhy\/","title":{"rendered":"THF Galleries: Micro-Haiga of Pravat Padhy"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;57949&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\">Pravat Padhy<\/h3>\n[\/vc_column_text][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]The Haiku Foundation honors the work of contemporary masters of the dual art of haiga: visual image wedded to haiku. This month\u2019s featured artist is <strong>Pravat Padhy<\/strong>.<\/p>\n<p>Pravat is a mainstream poet and writer of Japanese short forms of poetry. His haiku are showcased at Mann Library, Cornell University. His tanka is featured in \u201cKudo Resource Guide\u201d, University of California, Berkeley. His haiga have been published in\u00a0<em>Haigaonline, DailyHaiga, World Haiku Association, Under the Basho, NHK World, <\/em><em>Cattails<\/em>, <em>Poetry Corner, Contemporary Haibun Online<\/em> among others, and he received an honorable mention in the Seventh Setouchi-Matsuyama International Photo-Haiku Contest. USA. His haiku and tanka are portrayed in the \u201cViewing Stone Association of North America\u201d (VSANA). His Taiga (Tanka-Photo) is featured in the 20th Anniversary Taiga Showcase of the American Tanka Society. His Photo-haiku was presented by Jacqueline Pearce, editor of the <em>Last Train Anthology<\/em> at Haiku North America Conference, 15-17, October 2021. A video haiga of one of his haiku was prepared by students of the New Trier High School, Northfield, Illinois, and was archived on The Haiku Foundation site in 2022. His haiku accompanies the celebrated artist Hemanta Misra\u2019s (1917-2009) ink and pastel on paper titled \u201cGuwahati\u201d (\u201cBoatmen on the Brahmaputra\u201d, 1947) and exhibited at the Indian Museum, Kolkata, August 2022 under the aegis of Azadi ka Amrita Mahostava.<br \/>\nHe served as a panel judge for The Haiku Foundation\u2019s Touchstone Awards for Individual Poems and is on the editorial board of\u00a0<em>Under the Basho<\/em>.<\/p>\n<p><strong>Artist\u2019s Statement: Micro-Haiga<\/strong><\/p>\n<p>During the Tang Dynasty (618-907) in China, painting, poetry and calligraphy were called the \u201cThree Perfections\u201d and were revered as Buddhist meditation. Later during the 7<sup>th<\/sup> century, in the late Edo period, the form of Japanese painting was more of Kano school painting, Zen painting, and often was influenced by the aesthetic values of the <em>nanga <\/em>tradition.<br \/>\nThe spirit of poetry in its minimalistic exploration continues to excel with innovation. I experimented with writing \u201cOne-word Haiku\u201d in the verse envelope haibun \u201cBeyond Horizon\u201d (<em>Drifting Sands Haibun<\/em> 13, 2022, edited by Adelaide B Shaw). After the publication of my essay \u201cExperimentation with One-word Haiku\u201d (<em>Frogpond<\/em> 45:3, 2022) I thought of introducing \u201cMicro-Haiga\u201d with \u201cMono-word haiku\u201d having appropriate images in the background. Scientifically no entity stands on its own.<br \/>\nReferring to the one-word poems \u201ctundra\u201d by Cor van den Heuval and \u201cshark\u201d by Alexis Rotella, Jim Kacian wrote, \u201cIn both of these examples, a single word is arrayed against the solid whiteness of a whole page. Both depend upon context (or lack of context) for their impact, and so are more visual than one-line in function.\u201d Recently, Keith Evetts aptly opined, \u201cI think that the word <em>tundra<\/em>, a single though not a simple image, is not, on its own, a haiku. However, when placed in the comparatively vast whiteness of the empty page that surrounds it . . . we have a juxtaposition. It works for me as a minimalist haiga.\u201d<br \/>\nOne-word haiku can be a stand-alone poem if written with a creative background or associated with relevant references to gain its literary prominence. It has to imbibe the spirited manifestation of consciousness and poetic courage. I feel the background or the context symbolizes the visual manifestation of the one-word poem. Everything from electrons, protons, neutrons to DNA structure and the cosmos follows the law association we term, in literature, juxtaposition. A streak of light in the tunnel reveals its presence due to the art of juxtaposition of the background. The uniqueness of \u201cMicro-Haiga\u201d epitomizes poetic spell and posits sublime depth (<em>yugen<\/em>) in space and time. The present attempt embodies the wide spectrum of dimensions extending from human aspects to space. I feel it will create a literary spirit amongst the readers.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_media_grid grid_id=&#8221;vc_gid:1704842246690-e7457b2f-c583-7&#8243; include=&#8221;58494,58495,58496,58497,58498,58499,58522,59346,59347&#8243;][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Indian poet Pravat Padhy explores the visual implications of one-word haiku in a series of beguilingly simple images . . .<\/p>\n","protected":false},"author":2,"featured_media":58495,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1748],"tags":[1834,3073,3072,96],"post_series":[],"class_list":["post-58492","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haiga-galleries","tag-haiga-galleries","tag-micro-haiga","tag-pravat-padhy","tag-the-haiku-foundation","entry","has-media"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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